REAL PLANT AS THE INTERFACE FOR THEREMIN-BASED SENSOR. PROGRAMMED USING MAX 5. THE REAL ART HERE IS THE ALGORITHM: TOUCH THE PLANT - MAKE COMPOSITIONS, OR CONDUCT THE ORCHESTRA. FROM 1-DIMENSIONAL INPUT TO N-DIMENSIONAL MUSICAL SPACETIME.
INVARIANT SOUND STRUCTURE USING “TOTAL SERIAL SPECTRALISM” AUGMENTED WITH GRAM-MATRIX. AUDIO STRUCTURE MAPPED as a BIJECTION TO the VISUAL eLEMENTS. 3D RENDERING IN BLENDER.
“BALANCE GAME” -2014 | CONTROL THE FEEDBACK LOOP
USE GESTURES TO CONTROL AUDIO FEEDBACK LOOP, AUDIO MODIFIERS - OR CHANGE THE AUDIO SCENE WITH A “HIT” GESTURE. BUTTONS MAPPED EITHER TO AUGMENT THE GESTURES, OR TO THE VAST PARAMETER SPACE OF AUDIO FEEDBACK MODULATORS.